Inland Empire/Pomona Valley Regional Events

    • November 20, 2021
    • 10:00 AM - 1:00 PM (PST)
    • Online - Zoom
    Register

    Presenter: CATHERINE LANGSDORF


    Sponsor: Inland Empire/Pomona Valley Chapter

    About this workshop: Online mini workshop with Catherine Langsdorf, scribe. We will focus on calligraphic flourishes and decorative florals. Students will explore the small, pointed brush marker to build up floral motifs. These designs can be used in journals, on cards and envelopes, and with frame-able art. Students will work along with the instructor to create a finished wreath of florals. Learning how to use and exploit the flexibility of a pointed brush on botanical embellishments will train the calligrapher’s hand in skills applicable to various alphabets.
       The three learning units include 1) learning the tool and building a range of elements, 2) creating botanical motifs, and 3) making a wreath. Various techniques will be shared (measurement shortcuts and writing in a circle.) Prior to the workshop, color handouts will be provided for students to print. Participants will be encouraged to ask questions and to show their completed project.

    All levels welcome.  
    Workshop will be recorded and available for a month.

    Examples of Catherine’s work on this topic are on Instagram:  #lvs_botanical

    About Catherine: She began her pursuit of calligraphy in 1987 to enable her to address her own wedding invitations. She continued to study from top instructors at Cheerio and through her local guild, Carolina Lettering Arts Society. She owns Long Village Studio based in Hendersonville, North Carolina. She enjoys working with clients on one-of-a-kind lettering projects and providing wedding details to couples. Since 1990, Catherine has taught at various shops and galleries, and through community colleges all over North Carolina. Her instructional articles have been published in Bound & Lettered (2017, brush markers) and she has won awards in the Graceful Envelope Contest since 1999 (2005 Best in Show). Her art can be seen on Instagram @clangsdorf_calligrapher. Catherine is a Chicago-land native with North Carolina roots. She and her husband migrated south in 1992 and have adult twins.

    Questions? Contact Alessandra at iepv.sfcworkshops@gmail.com

    $35

    REGISTRATION: You must be a member both when you register and when the class is held. Pay by check or PayPal. No refunds. 

    PAYING DOES NOT GRANT YOU  A  SPOT IN THE WORKSHOP.  YOU MUST CLICK THE REGISTER BUTTON BEFORE PAYING. 

    Enrollment is for current paid Society for Calligraphy members only. Your membership must be current at time of sign-up as well as when class is held. No reservation will be held until your dues are current. If your membership lapses, you become ineligible and your space will be filled from the waiting list. Sign-ups are accepted in advance ona first come, first served basis. No refunds unless your place can be filled from a wait list. If you must cancel, please do so early enough for your place to be filled. For confirmation and prompt receipt of supply list, we recommend that your payment arrive no later than two weeks before the workshop. You do not have a spot in the workshop until you are notified by the coordinator. (Paid events are handled manually, so please allow several days.) Please send your check payable to IE/PV SfC: Send to Alessandra Kawakubo, 22891 Hilton Head Drive, # 197, Diamond Bar, CA 91765-4413. Write the workshop name in the memo space.  Non-members, include a separate check for $42, made out to Society for Calligraphy, along with your membership form: https://societyforcalligraphy.org/resources/Site/Membership/Membership.pdf.  Include your current name, address, phone number, and email with the check (s) in the envelope.

    NO audio or video recording of any program, meeting, workshop or other SfC function permitted without prior consent of both guest artist and a representative of the Board of Governors

    • January 04, 2022
    • (PST)
    • January 25, 2022
    • (PST)
    • 4 sessions
    • Zoom

    SAVE THE DATE! Registration will open as we get closer

    Presenter: Jane Shibata

    Images coming soon.

    Sponsor: Inland Empire/Pomona Valley

    About this Workshop: Meld the past and the present with a seventeenth century French hand called "ronde". Evidence of very clear exemplars indicate that the ronde script was taught in school. Visually, it has some characteristics of the secretary hand and civilité type. It is also a script that can be adapted to a monolinear style for everyday writing. We will be getting up-close and personal with the original version first and then apply some modifications to make the letters contemporary. Some experience with a broad edge nib is recommended.

    This workshop will be recorded, with the recording available for one month.

    Questions? Alessandra Kawakubo - iepv.sfcworkshops@gmail.com

    MEMBERS ONLY

    Enrollment is limited to current paid Society for Calligraphy members only. Your membership must be current at time of sign-up as well as when class is held. No reservation will be held until your dues are current. If your membership lapses, you become ineligible and your space will be filled from the waiting list. Sign-ups are accepted in advance on a first come, first served basis. No refunds unless your place can be filled from a wait list. If you must cancel, please allow sufficient time for your place to be filled. For prompt receipt of supply list and confirmation, your check should arrive no later than two weeks before the workshop. 

       Please make your check payable to IE/PV to  Alessandra Kawakubo, 22891 Hilton Head Drive, # 197, Diamond Bar, CA 91765-4413
       Please write the workshop name in the memo space.  Non-members, include a separate check for $42, made out to Society for Calligraphy, along with your membership form: https://societyforcalligraphy.org/resources/Site/Membership/Membership.pdf.  Include your current name, address, phone number, and email with the check (s) in the envelope. Or contact Alessandra to pay for membership via PayPal. Scholarships may be available for IE/PV chapter members. Contact Alessandra to inquire.

       NO audio or video recording of any program, meeting, workshop or other SfC function permitted consent of both guest artist and a representative of the Board of Governors. *** You must ask permission of the artist/instructor to photograph any copyrighted materials, including demos. 



    • April 23, 2022
    • (PDT)
    • May 01, 2022
    • (PDT)
    • 4 sessions
    • Zoom - Online
    Register

    Presenter: Suzie Beringer


    Sponsor: Inland Empire/Pomona Valley Chapter

    About this workshop: Come learn how to make letterforms that will almost dance off the page. In this workshop Suzie will show you the 'ins' and 'outs' of pressurized letterforms. The beauty of this technique is that ‘you’ as a calligrapher can incorporate this into many different hands. We will primarily be working with pencil but Suzie will address different products/tools and papers as well as techniques.

    All levels welcome! This workshop will be recorded, with the recording available for one month.

    About Suzie: Suzie Beringer is an artist/calligrapher who makes her home in the Pacific Northwest. She has a degree in commercial art with a life time passion for calligraphy. She is a designer, and talented artist who enjoys teaching. Constantly exploring new possibilities and pushing herself creatively. Suzie loves to share her passion in mark making and design with others. As an artist Suzie loves the challenge and discovery that lettering on different surfaces brings. It has been said that if something around her doesn't move quickly enough it may end up with letters on it! You can see more of her work on Instagram: @penstrokedesignstudio 

    Questions? Alessandra Kawakubo - iepv.sfcworkshops@gmail.com

    MEMBERS ONLY

    $104 via Paypal or check


    Workshop will hold 18 students. Enrollment is limited to current paid Society for Calligraphy members only. Your membership must be current at time of sign-up as well as when class is held. No reservation will be held until your dues are current. If your membership lapses, you become ineligible and your space will be filled from the waiting list. Sign-ups are accepted in advance on a first come, first served basis. No refunds unless your place can be filled from a wait list. If you must cancel, please allow sufficient time for your place to be filled. For prompt receipt of supply list and confirmation, your check should arrive no later than two weeks before the workshop. 

       Please make your check payable to IE/PV to  Alessandra Kawakubo, 22891 Hilton Head Drive, # 197, Diamond Bar, CA 91765-4413
       Please write the workshop name in the memo space.  Non-members, include a separate check for $42, made out to Society for Calligraphy, along with your membership form: https://societyforcalligraphy.org/resources/Site/Membership/Membership.pdf.  Include your current name, address, phone number, and email with the check (s) in the envelope. Or contact Alessandra to pay for membership via PayPal.

       NO audio or video recording of any program, meeting, workshop or other SfC function permitted consent of both guest artist and a representative of the Board of Governors. *** You must ask permission of the artist/instructor to photograph any copyrighted materials, including demos. 

    • May 21, 2022
    • 2:00 PM - 4:00 PM (PDT)
    • Zoom - online
    Register

    Presenter: Michelle Morin

    SPONSORED: Inland Empire/Pomona Valley Chapter


    ABOUT THE PROGRAM: In this class, we will use both composition principles and intuition (improvisation) to make fun and beautiful modern flourished borders for your calligraphy or handwritten pieces. Michelle will  use a pointed pen with metallic watercolors, but you  may use any tool and any ink you prefer (see materials list for suggested alternative  monoline or pressure-sensitive tools).
        
    These borders can coordinate with many calligraphic hands, including Copperplate-based and Spencerian-based pointed pen scripts.  Michelle has  used these borders around and in her calligraphy sketchbook pages and art pieces, on cards, and as custom stationary borders.
       Experience with preparing and using a pointed pen is recommended but not required if other tools are used. 

       In this class, we will learn:

    • How to make easy shapes that become the components of a modern flourished border
    • How to combine those shapes as you move along the page border, in either an intuitive process or through intentional planning and, if you wish, a grid system
    • How to vary the shapes and styles to create different looks, using metallic watercolors, watercolor pencils, and/or different types of pointed nibs

    ABOUT MIMO: Michelle Morin ("Mi Mo") enjoys learning and creating in many visual arts and calligraphic traditions, including mixed-media, watercolor, and hand bookbinding, as well as calligraphy and lettering using pointed pen, pointed brush/marker, pencil, and other tools.  Mi Mo teaches a Copperplate-based Modern Calligraphy and runs regular calligraphy study groups and creative meetups online.  She is also a collector of fountain pens, hoarder of art supplies, avid journal-keeper and journal-maker, Program Chair for Pacific Scribes, corporate lawyer, and mom.  @michelle.l.mo and @calligra_mi.

    SUPPLIES: 
    Your favorite pointed pen holder (straight or oblique), at least two different pointed nibs, ink, preferably in a few colors, and paper of your choice that works well with your inks and nibs.  
       These are the nibs, inks, and paper I like. You do not have to buy exactly what I use! Use what you have and what you love:

    • Nibs: a softer nib such as a Hunt 101; a slightly firmer nib such as a vintage Gillott 404 and/or a Nikko G or Zebra G might be fun to try as well. 
    • Inks: I will be using half-pans, quarter pans, or sample “dots” of metallic watercolors (i.e., rewetting dry watercolors and painting them onto the nib). My current favorite makers are:
         - Shipped from US (find online or on Etsy): Cloverset Lettering (she rotates colors often and I love her sample dots because they are bigger than average); Iuile Watercolors; Tiny Cactus Designs; Coliro Finetec.
         - Ships from outside the US, so availability/shipping time may be an issue: The Creative Kinds, And Flower Tales. (both on Etsy)
    • Paper: 
      - For class practice, anything that works with your pointed pens and watercolor pencils. Marker paper such as Canson XL or Borden & Riley #37 Boris Marker Layout will work for the pointed pens.
      - Crane’s Lettra, which is a yummy but expensive 100% cotton paper with a bit of tooth, is great for this type of watercolor pencil work and also works for pointed pen, though your nib may catch on the fibers.
      - Southworth 100% Cotton resume paper (in white or ivory,  in 24 or 32 lb) is a bit smoother than Crane’s Lettra.
      - Tomoe River (extremely lightweight, smooth, 52 gsm Japanese stationery paper) is very good for writing with pens and fountain pens. It  works with pointed pen and I love writing letters with it.
    • Watercolor pencils and a fine-point waterbrush, such as the Pentel Aquash or similar. (Or simply use a soft-graphite pencil!)
         - I suggest having a selection of warm and cool reds or pinks, warm and cool greens, a few blues and purples, a yellow, and any other colors you like.  For example, in Derwent Inktense I like Fuchsia, Poppy Red, Apple Green, Teal Green, Peacock Blue, and Mustard.  You could buy  singles from your local art store or dickblick.com if you want to try them out.
         - I suggest a good artists’ quality brand, such as Derwent Inktense or Faber-Castell Albrecht Durer watercolor pencils, because rewetting the pigment with the waterbrush will have more impact. 



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