Call for entries: register your entry(s) here!
ELIGIBILITY
Participation is open to current SfC members only. All entries must be original works of art. Submissions are limited to two pieces for each member.
SPECIFICATIONS
Artwork must be ready to hang, e.g. frame with picture wire and eyehooks. There is not a limitation on size of artwork. 3D pieces such as artists books are eligible and will be displayed in cases.
FEES
PLEASE REGISTER, via button on this page. (Read below if paying by check.)
There is a participation fee of $15 for one piece and $25 for two pieces to help defray costs of art installation, reception, publications for the exhibit etc.
20% of sales of artwork will go to the Maloof.
If writing a check, email: Caroline Arakaki:
exhibitsCA@societyforcalligraphy.org for mailing address. Make check to SfC, include on memo line: SFC Exhibit 2024
DELIVERY OF WORK:
Thursday, October 7-9, call for appointment
Melanie Swezey-Cleaves, Assoc. Director
Sam & Alfreda Maloof Foundation for Arts & Crafts
5131 Carnelian Street, Alta Loma, CA 91701
General Information: 909.980.0412; email: info@malooffoundation.org
OPENING RECEPTION:
Saturday, October 26, 2024, from 2:00 pm - 4:00 pm
EXHIBITION DATES
October 25, 2024 through February 23, 2025 (Revised/extended dates from Maloof)
Exhibit Days: Fridays - Saturdays
Hours: Gallery Hours: 12-2:00pm
RETRIEVAL OF ARTWORK:
Tuesday, February 24,25, & 26 2025, between the hours of 12-4pm (appointment required)
Contact: Melanie Swezey-Cleaves, Assoc. Director,
General Information: 909.980.0412, email: info@malooffoundation.org
Exhibit Co-Chairs:
Barbara Close: exhibitsBC@societyforcalligraphy.org
Caroline Arakaki: exhibitsCA@societyforcalligraphy.org
DEMONSTRATIONS AT OPENING RECEPTION AND THROUGHOUT THE EXHIBIT DURATION
Sponsored by
FRI, Jan 3, 2024, 6:30-8PM PST
No charge for these Study Group Sessions. They are led by members, sharing what they have learned. They do not claim to be masters. Members and guests may register for any individual session--there is no requirement to attend prior sessions. The aim is to share knowledge with newbies and to provide a refresher for those with more experience. Each individual session requires separate registration.
The session will be led by Kristi Darwick. We plan to record this session. Kristi asks that you remind her!
Kristi's project draft - letters to be thickened:
Agenda:
Topic: since we're referencing Susan Hufton's book, Step-by-Step Calligraphy, we'll go through broad edge-written Romans. This is a helpful pre-cursor to drawn Romans, which is one option for our year-long project. We'll also play with these as an early draft for our projects.
Flexible Schedule for the evening:
6:30 - 6:45 Announcements. Participants are invited to share any work they've done since last session, including their progress on our current projects.
6:45 - 7:45 Kristi - demo pen-written Romans.
7:45 - 8:00 Opportunity for those who wish to share what they've completed during this session (and another chance to share work done since our last session) and a time for questions.
SUPPLY LIST:
Membership not required
Zoom invitation and handouts are sent a couple days in advance.
It's not guaranteed that you'll receive them beforehand, if you sign up the day of . . .
PRETTY PAISLEY LETTERS with Cecilia Boschi
This SfC sponsored workshop will take place online with Zoom: Sunday, January 5 & Sunday, January 12, 2025 from 9:00am - 11:30am, Pacific US Time, for both sessions.
WORKSHOP DESCRIPTION:
In this short workshop, we will learn about the interesting design possibilities offered by a type of paisley decoration that was used in the 16th and 17th century.
These decorating elements, that look like a pattern, but are not, are particularly suitable to accompany the elegance of the magnificent Roman capitals used for monograms and drop caps at the beginning of a sentence or line.
We will observe the shapes used originally and make them contemporary by drawing them with pointed nibs, tempera, watercolors and metallic pigments.
Session 1 will be dedicated to the basic elements, shapes and to learning the general rules of a paisley design around a letter, compositions for separators or frames. In Session 2 we will build a paisley design together and go through troubleshooting, tips and tricks of paisley designs.
Workshop Fee: $55.00 - no refunds.
A zoom invitation/link will be sent a few days before the start of the workshop.
Cecilia Boschi lives in Italy; she graduated in foreign languages but has always held a special interest for visual arts. She started her calligraphy journey in 2013 specifically developing her eye for pointed pen styles. She has been a member of IAMPETH for several years and was awarded the IAMPETH Certificate of Proficiency in Engrossers (part of the new Master Penman Program) in April 2018 . She was one of the artists invited to do a demo at the 2022 IAMPETH Virtual Conference with Pointed Pen Roman Capitals. She runs classes and teaches private lessons for several calligraphic styles. Cecilia is the founder at CeciliaB Calligraphy offering her clients wedding and event calligraphy.
Find Cecilia online at Cecilia B Calligraphy and Instagram
WORKSHOP SUPPLY LIST:
If you wish to work along with the Cecilia, please have the following with you:
- Layout / cartridge / Fabriano Accademia or your favourite paper (A4 size will be fine for pencil drafts, smaller sized paper to ink your final work)
- H pencil, sharpener, rubber
- Ruler (10cm or longer)
- Pen holder
- Pointed nib (medium flexible pointed nib, avoid the Gillott303-Hunt101-Principal nibs for this class - crown nibs work best)
- Either ink or diluted gouache / watercolour paint (if you’re using a fountain pen ink, please be sure to add a few drops of gum arabic to make it flow slowly off your nib)
- Round, square or other shaped flat templates to create a design around your letter
If you are going to use thin / lightweight paper such as layout, then you can use the sample letters/designs provided with the handout. If not – it will save time to have a letter or two in Roman Capitals penciled, not taller than 1.5in (about 3cm) ready for session 2.
Both sessions of this workshop will be recorded and the recording will be available until March 5, 2025.
Please remember that all SfC events are organized by volunteers. Please respect their time and efforts in organizing these events.
This workshop is open to all SfC members. If you are not a member and wish to take this workshop please follow the directions on the SfC home page or click on the link below to become a member and then you can register for the workshop. Your workshop registration will not be final unless you are a fully paid SfC member.
https://societyforcalligraphy.org/Join-SfC
NO audio or video recording of any program, meeting, workshop or other SfC function permitted consent of both guest artist and a representative of the Board of Governors. You must ask permission of the artist/instructor to photograph any copyrighted materials, including demos.
SPONSORED BY SFC'S INLAND EMPIRE CHAPTER
8 weeknight sessions with Barbara Close
$85 - this discounted rate is a gift to our members. No refunds.
Wednesdays, January 8, 15, 22, 29 and February 5, 12, 19, 26, 2025, from 6:30 to 8:30 PM (PST).
WORKSHOP IS FULL. WAITLIST NOW CLOSED
ABOUT THE SERIES: We will be starting our workshop on Roman Studies with a serious look at the proportions of these beautiful majuscules. These letters have been immortalized by many throughout the ages and are considered one of the most important styles to master.
Once this is understood, then we can start to “break some rules” and use them as our building blocks to develop further patterns such as squaring off Monoline tips and trying pointed pen nibs for great textures. We’ll have several exercises to explore for some exciting page designs.
Level: Beginner/Intermediate
We will make Padlet available for sharing work for critique, as well as with fellow students. Recordings will be available for two months after the close of the series.
Barbara's Color Bands Student Work - Pastels
ABOUT BARBARA: Barbara is an internationally known calligrapher/artist and teaches in southern California, across the US and Canada. She thoroughly loves teaching and sharing with students. She also teaches online global classes through Zoom and loves the idea of reaching so many people. Her work includes a wide variety of lettering styles and mixed media applications. She has exhibited her work across the country as well as in many private collections. Her work has creative passion while showing the exhilaration of discovery in playful experimentations with skillful execution. Barbara has taught at several International Lettering and IAMPETH Conferences. She has designed the logo for Somerset Studio Magazine and the Calligraphy Collection font cartridge for Cricut. She has also designed several greeting cards for Marcel Schurman, now Papyrus.
www.barbclose.com
barbara.close -FB & IG
REGISTRATION: You must be a member both when you register and when the class is held. Pay by check or PayPal. No refunds.
COMPLETED REGISTRATION REQUIRES 2 STEPS:
1. FIRST PRESS THE REGISTER BUTTON.
2. Second, make a payment of $85 via PayPal or check. Please do this as soon as possible to avoid cancellation of your spot in the workshop.
Once you have pressed the Registration button, you will be sent an automated confirmation message with the PayPal link to complete your registration. information will be included for those who prefer to pay via check.
Non-members, here is information on how to join SfC: https://societyforcalligraphy.org/Join-SfC. We recommend you select up to two regional chapters, which provide extra perks at no extra charge. You may want to choose those that sponsor the workshops you enjoy.
Enrollment is limited to 25 students. (So many wanted in that Barbara has agreed to admit more students--we've cut registration off at about 42.) Your membership must be current at time of sign-up as well as when class is held. If your membership lapses, you become ineligible and your space will be filled from the waiting list. Registration will close when class is full or on January 6. No refunds.
Questions? Kristi Darwick at sdworkshops@societyforcalligraphy.org.
REGISTRATION FULL, WAITLIST AVAILABLE
Copperplate - A Systematic Approach with Jodi Denning
Sponsored by San Diego SfC
Saturdays: January 11 & February 22,2025 at 9:00 AM to 2:10 PM (Pacific Time)
Review on March 8, 2025 at 9:00 AM to 10.30AM (Pacific Time)
$25 MEMBERS ONLY
Due to the way our computer system works, registrations not immediately followed with payment will be cancelled. Also we cannot accept registrations after noon on Thursday, January 9, 2025.
About the Workshop:
Copperplate Minuscules – A Systematic Approach
This class will help students develop a foundation in the fundamentals of the Copperplate style of pointed pen script. The class will begin with a brief introduction to using a pointed pen, and a time for questions for students unfamiliar with the pointed pen. Participants will learn the structure of the basic strokes for the minuscules of this beautiful script, and then use those basic strokes to form the various related groups of minuscule letters. Detailed practice worksheets will be provided in PDF format.
Copperplate Majuscules – A Systematic Approach
This class is a continuation of the Copperplate Minuscules class, exploring the basic strokes and structure of the majuscules of the script. Basic familiarity with pointed pen and with the Copperplate minuscule alphabet is required before taking this class. Detailed practice worksheets will be provided in PDF format.
The workshop will be recorded and available for two months.
Recommended Experience: Beginners to advanced
About Jodi:
With no artistic background, Jodi jumped into calligraphy in late 2016 with a serious desire to learn pointed pen calligraphy, and no clue as to how to get started. After unsuccessfully trying to find local classes or resources, she began navigating the many challenges of learning calligraphy on her own. A couple years later she pursued “correspondence course” instruction from calligrapher Bill Kemp. As online courses began to be available, she continued to study, learn, and develop her traditional Copperplate/Engrosser’s Script style calligraphy.
Jodi’s professional career in software engineering gave her a natural orientation toward detail. Her lifelong passion for training horses and teaching riding skills gave her an understanding of how to break complex skills down into “bite-sized” pieces for a less intimidating learning experience, as well as a focus on self-assessment as a tool to develop increased skill refinement which she now brings to her calligraphy instruction.
REGISTRATION:
You must be a member both when you register and when the class is held.
Pay by check or PayPal. No refunds.
Cost: $25, paid by check or Paypal (see details below)
A COMPLETED REGISTRATION REQUIRES 2 STEPS:
1. FIRST REGISTER.
2. Second, Make a payment of $25 via PayPal or check.
Once you have registered, you will be sent a confirmation email with the PayPal button to complete your registration. Please pay within 24 hours to keep your spot or your registration will be cancelled.
To pay by check email Kristi, for instructions, at SDWorkshopsTeam@societyforcalligraphy.org
Include your current name, address, phone number, and email with the check (s) in the envelope.
If you are paying by check please send us the check number right away and make sure the check reaches us within a week.
MEMBERS ONLY
You must be a member of SfC when you register and when this program is held*.
Enrollment is limited to current paid Society for Calligraphy members only.
No reservation will be held until your dues are current.
To join SfC if you are not a member (this is a members only workshop):
Please select the San Diego Chapter on your membership form to receive early notifications of our upcoming Inland Empire workshops.
Enrollment is limited to current paid Society for Calligraphy members only. Your membership must be current at time of sign-up as well as when class is held. If your membership lapses, you become ineligible and your space will be filled from the waiting list.
For prompt receipt of supply list and confirmation, your payment should arrive no later than two weeks before the workshop. Supply list will be provided within the week following receipt of your registration.
NO audio or video recording of any program, meeting, workshop or other SfC function permitted consent of both guest artist and a representative of the Board of Governors. *** You must ask permission of the artist/instructor to photograph any copyrighted materials, including demos.
Questions? Contact Nan Anantharaman & Kristi Darwick at SDWorkshopsTeam@societyforcalligraphy.org
Instructor: Risa Gettler
Sponsored by the San Diego chapter
6 TUESDAY EVENINGS, MARCH 4, 11, 18, 25 and APRIL 1, 8, 6:30-8:30 PM (Pacific time). $100
ABOUT THE WORKSHOP: VISIGOTHIC VERSALS are the distinctive and exclusive writing style of early medieval Spain and the foundation hand for our class.
Starting with the Visigothic alphabet, and all of its many letter options, we move to incorporating the famous and popular ligatures. Throughout the course there are weekly slide presentations, videos and music. Step-by-step we refine our work with these intricate letterforms and design choices via the aid of demonstrations, techniques and examples.
Your time spent in calligraphic study, letter rhythms, color. space and artistic judgment will bring you joy and pleasure in writing Visigothic Versals.
THIS IS AN INTERMEDIATE TO ADVANCED CLASS. YOU MUST BE FAMILIAR WITH FOUNDATIONAL ROMAN AND KNOWLEDGEABLE ABOUT THE LETTER-FORMS, UNCIAL IS HELPFUL, SPACING IS ESSENTIAL IN SUCCESSFULLY EXECUTING VISIGOTHIC VERSALS--SPACIAL ACUMEN WILL BE DEVELOPED DURING CLASS. Note from Kristi: Risa does insist that participants keep up with the assignments. This is not a class for those who simply wish to watch. Risa generously meets one-on-one with the participants, as needed. You'll be very happy with what you produce!
Please check with Kristi regarding any questions about this: sdworkshopsteam@societyforcalligraphy.org
Recording will be available for two months.
ABOUT RISA and her Visigothic Versals: I've been traveling the Calligraphic Highway most of my adult life. I've taught Visigothic Versals at international calligraphy conferences, universities, museums, calligraphy study groups and guilds plus a long list of calligraphic accolades. But what I think is important for you to know about is my passion for and study of Visigothic Versals. I fell in love and I mean head-over-heals in love with Visigothic Versals the moment I laid eyes on them; traveled to Spain and took calligraphy classes with amazing and generous letter artists; returned to USA and have spent the last 22 years in the solitude of my scriptorium pouring over the Spanish Beato manuscripts with the translations and tutelage of Visigothic scholar, Dr Ainoa Castro. My enthusiasm is so great for these intriguing and intricate letterforms that I teach Visigothic Versals exclusively. My interest and curiosity for Visigothic Versals has taken me to Princeton's Spanish Art Department and NYC to see the Morgan Beatus. Yes! America owns one of Spain’s national treasures! https://www.themorgan.org/manuscript/110807
2. Second, make a payment of $100 via PayPal or check. Please do this as soon as possible to avoid cancellation of your spot in the workshop.
Once you have pressed the Registration button, you will be sent an automated message with the PayPal link to complete your registration. information will be included for those who prefer to pay via check.
Enrollment is limited to 18 students. Your membership must be current at time of sign-up as well as when class is held. If your membership lapses, you become ineligible and your space will be filled from the waiting list. Registration will close when class is full or on March 2. No refunds unless spot can be filled.
Questions: Contact Kristi Darwick, sdworkshopsteam@societyforcalligraphy.org. (Backup: Dr Nan)
SAVE THE DATE! More details to follow
Fridays, May 2, 16, 30 and June 13, 2025, from 06:30 PM to 08:30 PM (Pacific Time).
ABOUT THE WORKSHOP: Details to Follow
ABOUT HOANG:
Details to Follow
EXPERIENCE: Details to Follow
Workshop will be recorded and available for xx months.
Zoom invitation will be sent a couple days in advance.
No refunds.
Registrations will close on April 29, noon PST.
Cost: $xx, paid by check or Paypal (see details below).
To pay by check email Nan or Kristi, for mailing instructions, at SDWorkshopsTeam@societyforcalligraphy.org . If you are paying by check, it should be made out to Society for Calligraphy. Please send us the check number right away and make sure the check reaches us within a week. Include your current name, address, phone number, and email with the check (s) in the envelope.
Please select the San Diego Chapter on your membership form to receive early notifications of our upcoming San Diego workshops.
For prompt receipt of supply list and confirmation, your check should arrive no later than two weeks before the workshop. You are not registered until confirmed by the workshop coordinator.
REGISTRATION WILL OPEN VERY SOON!
3 Thursday evening sessions with Cheryl Jacobsen, May 8 & 15 and June 5, 2025. 6:30 to 8:30 PM (PST).
ABOUT THE WORKSHOP: A blackletter hand like Textura prides itself on its upright demeanor and slow, steady movement, but Gothic Cursive is more laid back (literally), fast and free flowing. We will talk about various historical and modern examples, then get step by step instruction and feedback on the Gothic Cursive Cheryl has developed over time. Join her in this workshop to learn this fun and floridly expressive hand.
Experience level: Basic knowledge of pen angle pen use needed but any level welcome.
We will make Padlet available for sharing work for critique, as well as with fellow students. Recordings will be available for three months after the close of the series.
ABOUT CHERYL: Cheryl Jacobsen is a calligrapher and an assemblage artist. She is an adjunct assistant professor at the University of Iowa’s Center for the Book where she teaches a variety of classes including a history of western letterforms, and several in modern calligraphic hands. She was a visiting faculty member for the 2015 NEH Summer seminar The Materiality of Medieval Manuscripts: Interpretation through Production and is the author of “A Modern Scribes Views Scribes of the past” in Scraped, Stroked, and Bound: Materially Engaged Readings of Medieval manuscripts. She runs a freelance studio creating manuscript books, commercial lettering, documents, calligraphic and assemblage art. You can see some of her work at: Cheryljacobsen.com
REGISTRATION WILL OPEN SOON:
2. Second, make a payment of $x via PayPal or check. Please do this as soon as possible to avoid cancellation of your spot in the workshop.
Enrollment is limited to 20 students. Your membership must be current at time of sign-up as well as when class is held. If your membership lapses, you become ineligible and your space will be filled from the waiting list. Registration will close when class is full or on May 6. No refunds.
Sponsored by the Society for Calligraphy - Registration Opening Soon!
Erin Fletcher is the owner of Herringbone Bindery located in Austin, Texas. She crafts one-of-a-kind fine bindings and small editions for various clients and institutions. Her work is regularly exhibited throughout the US and abroad and is held in public and private collections. She first discovered a love for bookbinding while studying at the North Bennet Street School in Boston where she graduated in 2012. She regularly teaches book arts workshops online and at venues throughout the United States.
Join us for this fabulous in-person bookbinding experience with Erin.
The workshop will take place on Saturday June 14 and Sunday June 15, 2025,
from 10am - 4:30pm with an hour break for lunch.
Please note that this event does fall on Father's Day.
Location: International Printing Museum - Torrance/Carson
315 W. Torrance Blvd., Carson, CA 90745
Make a weekend retreat out of this event and stay Saturday evening at a local hotel!
Secret Belgian Binding – Two Ways
Description:
This workshop will explore the Secret Belgian structure by crafting it two different ways.
This simple binding is easy to construct and can be modified in a variety of ways. The
binding opens flat and is perfect for thin, lightweight text blocks. During this workshop
students will use techniques developed by Anne Goy to make a basic version along with
a ‘top secret’ version which will build upon these foundational steps. This workshop is
suitable for students with any level of bookbinding skill including beginners.
A Pair of Crossed Structure Bindings
The Crossed Structure gets its name from the interlacing that occurs across the spine to
bring the covers together. These modern bindings are rooted in techniques found in
medieval structures and were created by Carmencho Arregui. Although there are several
variations on the Crossed Structure, we will explore just two in this workshop. Beginning
with the Basic, students will learn the technique for sewing and how to interlace the
covers. The second model has a less obvious construction at the spine and is aptly
referred to as Hidden. This workshop is suitable for students with any level of
bookbinding skill including beginners.
Workshop Fee: $120.00
Workshop Kits: Secret Belgian $10.00 and Crossed Structure $15.00; this additional $25.00 will be paid directly to Erin at the start of the workshop.
Learn more about Erin at www.herringbonebindery.com
Presenter: Yukimi Annand
SAVE THE DATES! More information to follow
ABOUT THE WORKSHOP: I am interested in any “forms" I see surrounding me. As a calligrapher I have been experimenting to create letterforms based on the forms I capture from the surroundings and play with them by writing text. The Roman alphabet is basically designed with a geometric system and the letter O is the mother form for developing a set of 26 letters.
In this workshop, we will start by making variations of letter O. We will get ideas from existing letterforms including historical and contemporary forms, ancient sine language, man-made architecture, natural forms and abstract paintings. We will consider the meaning of the text and the form of O to create unique alphabets. Then we will work on lines that are made by writing text from legible to abstract. As our final products, we will construct accordion books with the lines we created and collaged colorful shape elements which relate the form of O.
PRESENTER: SUZIE BERINGER - SAVE THE DATE! More details to follow
Saturday and Sunday, August 23-24, 2025 9:30 PM-4:30 PM (PDT), plus a review session on Saturday, August 30, 9:30-12:30
ABOUT SUZIE: Suzie Beringer is a lettering artist who makes her home in the Pacific Northwest. With a degree in commercial art with a life-time passion for calligraphy, she is constantly exploring new possibilities and pushing herself creatively. Her work has been published in Letter Arts Review as well as other publications. As a teacher she loves to share her passion for mark making and design with others. As an artist Suzie loves the challenge and discovery that lettering on different surfaces brings. It has been said, that if something around her doesn't move quickly enough it may end up with letters on it!
You can see more of her work on Instagram: penstrokedesignstudio
MORE DETAILS TO FOLLOW!
Roman capitals with variations - Saturday, September 27, 2025 9:30am-12:30pm (Pacific Time)
Details to follow
Saturday, October 25, 2025 9:30am-12:30pm (Pacific Time)
Saturday, November 22, 2025 9:30am-12:30pm (Pacific Time)
